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	<title>Terra Long</title>
	<link>https://terralong.ca</link>
	<description>Terra Long</description>
	<pubDate>Sun, 15 Sep 2024 06:40:55 +0000</pubDate>
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		<title>Slideshow</title>
				
		<link>https://terralong.ca/Slideshow</link>

		<pubDate>Wed, 17 Feb 2021 07:21:04 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<title>Feet in Water, Head on Fire</title>
				
		<link>https://terralong.ca/Feet-in-Water-Head-on-Fire</link>

		<pubDate>Mon, 13 Feb 2023 18:22:17 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<description>Feet in Water, Head on Fire


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&#38;nbsp;

2023 &#124; 90 Min &#124; 16mm - DCP&#38;nbsp;

Press KitSynopsis&#38;nbsp; &#38;nbsp;
 
Terra Long’s feature debut is a breathtaking portrait of California’s Coachella Valley that is both anchored in the specifics of place and community, while freely exploring the limits of cinematic time and space. Shaped by seismic forces of the San Andreas Fault, the Coachella Valley is home to an agricultural community built around the date palm trees introduced to the region in the early 1900s. Today, the land and its people face combined threats from economic upheaval, US immigration policy and climate change. With an elliptical grace, Long’s film spans vast expanses of geological time and sweeping desert landscapes into extreme close-ups of the region’s plant and insect life, where microscopic views of cellular biology trace intimate stories of human connection. Beautifully shot on 16mm film and featuring hand-processing techniques that incorporate plants native to the Coachella Valley into the film, Long’s documentary is grounded in place even on a material level. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; — J.C.






Credits&#38;nbsp;

Directed + Camera &#124; Terra Long

Produced + Written &#124; Mireya Martinez,
 Sharlene Bamboat + Terra Long

Written with &#124; Daniela Uribe

Edit &#124; Kaija Siirala + Terra Long

Sound Design + Mix &#124; Richy Carey

Additional Camera &#124; Alisha Tejpal
Selected Press:

Encounters with the Coachella Valley Landscape, Filmmaker 
A Great Divide,&#38;nbsp;Reverse Shot
Ode to the Natural World,&#38;nbsp;VOX

The Road to Mecca,&#38;nbsp;Cinema Scope

Palm Trees, Persian Myths, and Pageantry POV Magazine

Selected Screenings:

True / False Film Festival, Columbia, US
First Look MoMI, NYC, US
Hot Docs, Toronto, Canada
DOXA, Vancouver, Canada&#38;nbsp;
DokuFest, Prizren, Kosovo&#38;nbsp;
Black Canvas Film Festival, CDMX, MexicoDok Leipzig, Leipzig, Germany
Unorthodocs Wexner Center, Columbus, US&#38;nbsp;
IDFA, Amsterdam, Netherlands
RIDM, Montreal, Canada
Sharjah Film Platform, UAE
Dundee Contemporary Arts, Scotland
Istanbul Museum of Modern Art, Turkey</description>
		
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		<title>vidloop0</title>
				
		<link>https://terralong.ca/vidloop0</link>

		<pubDate>Sun, 15 Sep 2024 06:40:55 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<title>350 MYA</title>
				
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		<pubDate>Sun, 14 Feb 2021 17:58:08 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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350 MYA



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&#38;nbsp;

2016 &#124; 5 Min &#124; 16mm“350 million years ago the Tafilalt region was the Rheic Ocean.” So we are informed at the end of Terra Long’s lovely formalist landscape study, which employs the sharp contrast of colored silk against sand and sky to emulate a kind of visual oasis. The material, undulating in the wind, is not a metaphor for the once-present waves. Rather, it demonstrates a time-frame separate from that of the desert itself, which is always in motion but whose geological existence is at a significant remove from human time. 
Adding an additional dimension to these images of differential flux, Long displays the work of the apparatus itself: slippage in frame registration, sprockets vibrating, and the specific meeting of the Moroccan sun and the surface of the lens. Each reflects a topography, and in turn a temporality all its own.

— Michael Sicinski, Mubi Notebook





Made
during the Weight of Mountains film residency at Café Tissardmine in Morocco





Selected
Screenings



Toronto
International Film Festival, Wavelengths, CanadaInternational
Film Festival Rotterdam, NetherlandsJihlava
Film Festival, Czech RepublicMedia
City Film Festival, Windsor, Detroit, Canada, USLA
Film Forum: Mysteries Inside Facts curated by David Dinnell USLightfield,
Sanfrancisco, US Festival Strangloscope, Florianópolis, BrazilExposure
Kopernik Observatory, curated by Tomonari Nishikawa NY, US</description>
		
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		<title>vidloop1</title>
				
		<link>https://terralong.ca/vidloop1</link>

		<pubDate>Thu, 18 Mar 2021 09:37:04 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<title>horses in the year of the dog</title>
				
		<link>https://terralong.ca/horses-in-the-year-of-the-dog</link>

		<pubDate>Thu, 18 Mar 2021 09:42:19 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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Horses in the
year of the dog




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2018 &#124; 6 min &#124; 16mm &#124; 2K &#124; 5.1 Sound
An immediate love forms between new
friends considering motherhood under the roof of a fierce matriarch. Bodies
become porous, and passage, bees pollinate the food we consume, becoming and
belonging one to the other. Film developed in lavender, eucalyptus, and
hibiscus grown on site. 




Filmed during the Site and Cycle
residency at Casa Rural in Jalisco, Mexico.
Select Festivals:


Ann Arbor Film Festival


EXiS Experimental Film &#38;amp; Video Festival, Seoul, Korea.


Edinburgh International Film Festival, Scotland, UK


THOUSANDSUNS CINEMA Media City Film Festival, Online</description>
		
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		<title>Push Pull Recover</title>
				
		<link>https://terralong.ca/Push-Pull-Recover</link>

		<pubDate>Thu, 18 Mar 2021 08:29:33 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

		<guid isPermaLink="true">https://terralong.ca/Push-Pull-Recover</guid>

		<description>




















Push&#38;nbsp; &#38;nbsp;//&#38;nbsp;Pull&#38;nbsp; &#38;nbsp;//&#38;nbsp;Recover



	

















2013
&#124; 3 min &#124; HD &#124; Stereo






A
meditation on motion through stillness with breath. Shot in single frames on
16mm and hand painted. Made at Philip Hoffman’s Process Cinema workshop at
EICTV in Cuba.
__


There
is a large pool at the school. Every day I would swim – I thought of the pool as
a container, a space that I could measure my body against. Much like the
grounds of the school itself or the country defined against a body of water.
Swimming can be a kind of meditative experience but there is also conflict
inherent to the act of swimming, the body cutting against water, and the
struggle to find rhythmic breathing.



— Interview with Lili White AXW Blog


__

 
Select
Screenings



Edinburgh International Film Festival,
Scotland UK



Images Film Festival Toronto, Canada
Another
Experiment by Women, Anthology Film Archives, NY, US



Chicago Underground Film Festival,
Chicago US



Bain Argentiques International Film Labs
Meeting, Nantes, France



Dobra Festival Internacional de Cine
Experimental, Brazil



Material Desire and Experimental Film:
Color and Chemistry, Kim Knowles
Duke University, Durham, NC, US 



VTape, Medi(t)ating the Temporality of
the Untimely, Toronto, Ontario


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		<title>vidloop2</title>
				
		<link>https://terralong.ca/vidloop2</link>

		<pubDate>Thu, 18 Mar 2021 09:40:34 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<title>The Stammering Alphabet</title>
				
		<link>https://terralong.ca/The-Stammering-Alphabet</link>

		<pubDate>Sun, 14 Feb 2021 18:35:54 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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		<description>

The
Stammering&#38;nbsp;
Alphabet


&#60;img width="1448" height="1075" width_o="1448" height_o="1075" data-src="https://freight.cargo.site/t/original/i/5a6341852e653a356acacfde838a1a154aa3fda378a5732bbb83ab6b29fd5c37/Stammering-alphabet.Still001.jpg" data-mid="105607209" border="0"  src="https://freight.cargo.site/w/1000/i/5a6341852e653a356acacfde838a1a154aa3fda378a5732bbb83ab6b29fd5c37/Stammering-alphabet.Still001.jpg" /&#62;


2019 &#124; 8 min &#124; Super 8mm Commissioned to make a Super 8 film in celebration of the 18th anniversary of the Echo Park Film Center in Los Angeles, Sharlene Bamboat and Terra Long each took a roll and began a correspondence. Fragments of text, drawings, and divination techniques were shared and translated into images. Chasing the ephemeral, building a language of collaboration, The Stammering Alphabet is a playful correspondence film.

Collaboration Sharlene Bamboat &#38;amp; Terra Long

Original MusicMilja Viita &#38;amp; Terra Long

ScreeningsEcho Park Film Center 18th Anniversarythe8festsmallgaugefilmfestival

	
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		<title>vidloop3</title>
				
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		<pubDate>Thu, 18 Mar 2021 09:28:56 +0000</pubDate>

		<dc:creator>Terra Long</dc:creator>

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